Students of 17th century women writers, art history, and book culture will be interested in Maureen E. Mulvihill’s observations on the articulate frontispiece portraits of Margaret (Cavendish), Duchess of Newcastle, published in her remarkable corpus of work. With digital images, a table display of rare books (Mulvihill Collection), and a distributed bibliography, Maureen E. Mulvihill (Princeton Research Forum, Princeton NJ) will engage with these visual constructions as physical artifacts of 17th century book design and as ‘text’ to be read and parsed on the writer’s character and identity.
Keynote speaker Maureen E. Mulvihill is a broadly published specialist on women writers, rare books, the London & Dublin book trade, and the intersection of literary text and the visual arts. She also has published on Rubens, Van Dyck, the Elzeviers, printers’ marks, watermarks, woodcuts, and the Stuart legacy of Veronese. She studied at Wisconsin, the Yale Center for British Art, the Columbia University Rare Book School, and, as an NEH Fellow, Johns Hopkins University. Since the 1980s, she has been a visiting professor and speaker on many campuses. She is at work on Irishwomen’s political writings and response c1603-1801.
What do you see? Frontispieces of Margaret Cavendisch. Invention, Authority, Book Arts.
By Maureen E. Mulvihill, Princeton Research Forum, Princeton NJ
Keynote Speaker, Annual U.S. Margaret Cavendish Society Conference
5:30 pm, 13th July 2013. Creekside Lodge, Sundance Resort, Sundance, Utah