Essay by Maureen E. Mulvihill (Princeton Research Forum, Princeton NJ)
Published in Seventeenth-Century News (Spring / Summer, 2014), pp 1-26; 21 images with caption notes.
This essay is an immersive, illustrated review of the spectacular Veronese show at the Ringling Museum of Art, Sarasota, Florida (2012-13); but it also educates readers on Veronese's legacy in the 17th century among book publishers, printmakers, and (mostly) Stuart art connoisseurs. Drawing upon an extended Gallery of Images (21 images, including some fine installation shots, all with extended caption notes by the author), the essay demonstrates the fabled invention, wit, and clever humor of this "Happiest of Painters", as Henry James wrote of Veronese. The essay gives special prominence to the currency of Veronese in the 17th-century book culture and print culture (Images 6,7,14). The author's dedicatees are three prominent book specialists: Robert J. Barry, Jr.; John T. Shawcross; and Peter A. Tasch.
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